Why Ghosts Are Green – read by the Scottish Storyteller

A collaboration with my partner, The Weirdnet. This is his recording of one of my poems, which will most likely feature in the new book!

Why Ghosts are Green

I feel the anger
and it’s new –
a burning,
I turn it inwards.
We are the nameless,
we watch.
We are the speechless,
the lost.
We skulk in the shadows
and watch you
in the light.
You don’t even know.

You’re muscle, tendon,
bone and skin.
You’re eyeballs,
toenails, breath and sin.
We watch.
We want it.
We need it to be real.
We summon up strength
(can one be strong
with no body?)
We long to touch.
We’d kill
to touch.

We float by,
overlapping in layers
because this world is too small.
There’s too many
dearly departed.
Oh, how quickly
you forget!
How you waste your gift.
How you anger us.
We’d kill
to hurt.

The pleasure of ending
one’s existence
is unknown to us.
We cannot poison,
for we cannot drink.
We cannot stab
for we cannot bleed.
We cannot suffocate
for we need not breathe.
I watch him –
a boy, holding his sister’s hand.
Barely hanging on,
just loosely holding.
I would squeeze tightly
I would squeeze skin
on skin
and cherish it.
You’re wasting it all.

We’d kill
to be you

The Music Box

(I’m working on my new book, officially as of yesterday. Here’s one of the stories that’s admittedly still a work in progress… but it might make its way into the book)


Anthea had been warned, over and over, to never open the music box. Her mother locked it away in the family safe, in case anyone ever felt tempted. The problem Anthea had was that no one had ever told her why. She thought that if someone just explained what the problem was she’d leave it alone. Though, truthfully, it was unlikely that anything could kill her curiosity. Even if someone told her that opening the box would kill her instantly she’d probably do it, partly to spite them but mostly just to find out if it was really true.

Anthea seized her moment when her parents went back home to Greece for a fortnight. She declined the invitation, saying she had coursework to complete. She was only seventeen but had proven her maturity in the sensible life she lived and had earned their trust.

On the first morning she made herself breakfast, put on her favourite radio station and enjoyed the freedom. It wasn’t until lunchtime that she started thinking about the music box. What did they expect, anyway? It was like labeling a great red button ‘do not press’.

Her mother had the key to the safe, of course. Anthea was sure there must be a spare somewhere but had no idea where to start looking. So, she googled the safe’s model code and in a matter of minutes had purchased a new key (£4.99 including postage and packaging) and two days later the padded envelope slid through the letterbox and waited for her to come downstairs.

Now all she had to do was crack the code and she was in. Anthea spent half a day looking through her parents’ box files, finding birth certificates and old bills and refrigerator manuals. Finally, she found the documentation that came with the safe. The code was written in green ink on the back: 16-1-14-4-15-18-1. She was stunned: why on earth would you write that down? Then again, she had also came across a four digit code scrawled on an old bank statement that was almost certainly a PIN number.

Shaking with excitement, she turned the new key in the lock and carefully entered the code, pressing each metal button delicately. With a click, the door swung open. Inside was the family treasure: jewellery, photo albums, love letters and the green music box. She hadn’t seen it in such a long time – maybe ten years.

It felt like it always did: far heavier than it looked, yet comfortable in her hands. She remembered being about seven years old and so desperate to find out what was inside, to hear the music… she had almost opened it when her mother found her and locked it away for good.

Anthea placed the box on the coffee table and stared at it for a long time, savouring the tense drama of the moment. She knew it was going to be the biggest anti-climax of her life, because it was just a wooden box, of course. She couldn’t think of anything at all that could be inside which would really warrant such extreme warnings and live up to her dreams. She dreamed about the box a lot, so much that she felt she was going insane with ignorance. She felt the box calling out to her as she slept, whispering through her dreams and begging her to open it. Now here it was, like a living breathing thing before her. She could feel its heartbeat.

Finally, it was time. Anthea turned the tiny silver catch, for the second time in her life, but this time she opened the lid fully, feeling ridiculous for trembling so much.

Then, in the blink of an eye, the box slammed closed and her hands were clasped in her lap. She couldn’t recall moving them, or closing the box, or seeing what was inside – it was as if she’d blacked out.

Tentatively, she opened the box again. There was nothing inside. Had there ever been? Maybe it was all a cruel joke her parents had been playing her whole life… and yet… she felt an odd sense of hope as she stared at the blank bottom of the box. She couldn’t think where the feeling was coming from, or what it related to, but it was there. She knew with a sudden fierce certainty that no matter what went on in the world there was always hope hidden away somewhere.

If ever you see something frightening out of the corner of your eye, or you feel you are being watched when no one is around, or you find yourself waking from a nightmare and can’t recall what has your heart racing – you have encountered Shades, primal creatures of raw evil imprisoned in a silent music box and handed down and guarded from generation to generation. They were never supposed to be freed, but they always knew they would be. Shades are patient entities, and have always understood the truth about humans: the strange force of curiosity would always overpower humankind. Perhaps one day someone will find a way to shackle them again. But, for now, Anthea put the box back into the safe, locked it and threw away the key.

The story so far…

Lydia Teasedale is my penname, chosen in reference to two different Marx brothers films.

I’ve been writing for as long as I can remember – clichéd as that may sound! I remember making up stories before I even knew how to write, so I could never pinpoint a beginning. However, in 2008 I self-published my first book: Secret Smile. This was a collection of short stories and poetry aimed at a teenage audience.

Next was Little Vampire, a children’s book about Dracula’s half-human niece. This was published in 2009, though it was based on a story I’d written when I was ten. Admittedly it did change quite a lot from the original, but it’s still special to me for being the first novel I’d ever really finished writing.

Writers will always tell you that choosing a favourite book or a favourite character is like choosing a favourite child, but the next book I wrote defies both of those sayings. My personal favourite is Check which I published early in 2011, and it features one of my favourite characters I’ve written (his name is Singe – you’ll have to read it to see why I love him!)

Next was Enlighten, published in June 2013. This is another collection of short stories and poetry, but mainly fantasy/sci fi. In September I published the follow-up, Wishes Granted, Reasonable Fees which is, again, short stories and poetry of a mainly fantasy nature. It started as a project I set myself in August, to write one piece of flash fiction a day, so every piece in this book is 1000 words or less. (Note: I have withdrawn these books temporarily, but I will be publishing a volume of short stories in the near future)

In 2015 I published Starving, which is the fictional story of my character April’s struggle with an eating disorder. While this was a fictional story, I took a lot of inspiration from my own experience with anorexia. Also that year I published The Bone Cage, which is a compilation of poetry.